Viva the arts this Fall!

Yes, I hate to say it but Fall is nearly upon us. While many of us loathe to see the departure of summer, the Fall does mean the traditional launch of the arts and culture season. As the leaves turn colour, the art world rises up to give us an abundance of opportunities to get out and get creative. Check out these FREE events meant to engage the creative side in all of us.

Culture Days

Culture Days is a collaborative pan-Canadian volunteer movement to raise the awareness, accessibility,participation and engagement of all Canadians in the arts and cultural life of their communities. A national Steering Committee, together with provincial committees (known as Provincial Task Forces) are self-mobilizing at the grassroots level to implement concurrent annual province-wide public participation events each September beginning in 2010. The annual, concurrent Culture Days events across Canada will feature free, hands-on, interactive activities that invite the public to participate “behind the scenes,” to discover the world of artists, creators, historians, architects, curators, and designers… in their community.

To find out more as well as learn how to register your event and access great resources like ‘event checklists’ and ‘public relations toolkits’ see: http://culturedays.ca

Alberta Arts Days – September 17 – 19

Alberta Arts Days is also quickly approaching, which means it’s time to start thinking about how you’d like to be involved! Last year, thousands of Albertans discovered, experienced and celebrated our vibrant arts and culture landscape. Hundreds of community groups and organizations partnered to offer 571 events in 116 communities.

Alberta Arts Days has a starring role for absolutely everyone: artists, art organizations, community groups, municipalities, libraries, schools and businesses. This year, show your support for local art and culture by partnering with others in your community to host an event or becoming a sponsor.

Hosting an event doesn’t need to be a major undertaking. It can be as simple as adding an artistic flair to something that’s already in the works, or opening your organization’s doors and offering a behind the scenes look into how art is created. Check out this site for events near you as well as for a number of resources to help you get started to plan your own event: http://culture.alberta.ca/artsdays/

Alberta's Culture Calendar

Are neither of these events quite your thing? Well, fret not. Check out Alberta's Culture Calendar to see what is happening in an area near you. Alberta’s Culture Calendar is a community resource meant to promote Alberta’s arts, heritage, volunteer and other cultural information and activities. Check out the link below to find events in your community or to look for events on specific days.

This site also allows users to submit their own events: http://culture.alberta.ca/events/default.aspx

So there you have it! Three fantastic ways to get active, get creative, and engage with the arts, culture, and heritage this fall.

I know that I'll see you out there....

Vote for us and for our aboriginal communities

I’m not even going to attempt to hide the fact that this is a blatant plug for our Pepsi Refresh Project Grant application.

For those few who I haven’t actually emailed, stalked, or tweeted, the latest ACE Communities news is that we are one of the ideas vying for $100,000 of Pepsi’s cash. Our goal: organizing a music and dance tour in Albertan Aboriginal communities. This latest grant race is notable as it is you, the voting public, who will ultimately decide whose project wins.

So hey! If you want to vote and/or spread the word here is the link: http://ab.yace.ca/artstour. See… what did I say…a blatant plug.

I was thinking a little bit today, as I continued to roll out my social media campaign, about what the point of all of this really was. Like…why the push for an arts tour for our aboriginal communities instead of for someone else? As a practitioner who has spent many years working in the arts trenches, I know that resources are thin on the ground for everyone.

As I sat and really considered this, an image of Stan popped into my head.

And who’s Stan, you ask? Well, let me tell you. Stan just happens to be one of the most popular male Aboriginal dancers on the southern pow wow circuit. I first saw Stan dance at the Grey Eagle Casino as part the Aboriginal Day celebrations at the Tsuu T’ina Nation. He was representing the Men’s Fancy Dance category and he, I’m not going to lie, completely blew me away.

Stan dancing was a hurricane of colour, virtuoso, and male power. I had never truly seen anything like it and, if I had had my way, I could have watched Stan dance for hours. As I left the casino that afternoon after the performance, I couldn’t help but feel both inspired and affirmed in my belief about the power of dance.

One of the most interesting things I discovered about Stan was that he wasn’t technically a professional dancer. In fact, it turned out he was a cook at the Grey Eagle. Now don’t get me wrong, I’m not saying that cooks can’t dance but I would be hard pressed to find many civilians (as in us non-artsy fartsies) dance with the same brilliance and passion as Stan.

So what was it that had a cook in an Aboriginal community possible out dance almost everyone in my Euro-centric world? The answer: a foundational connection to the heritage and artistic heartbeat on one’s own culture.

Unfortunately, a huge epidemic is running rampant in many of our Aboriginal communities. Substance abuse, high rates of diabetes, poverty, and gang crime in combination with an increasingly alarming and growing disconnect to their heritage (which many blame on the residential school syndrome) have lead to the despondency in many communities. This despondency is killing the soul of many Aboriginal communities, fracturing individuals and even nations.

Our answer: the ACE music and dance tour. While I would never be so arrogant as to believe that one little arts tour in seven communities will solve any of the above issues, I do sincerely believe that it could be a stopgap, musical healing, or at least a temporary balm for the soul.

And if you don’t believe in the healing power of the arts, then I dare you to go find Stan from the Tsuu T’ina Nation and watch him dance.

To vote daily (until August 31^st) for the ACE Communities Pepsi Refresh Project go to: http://ab.yace.ca/artstour

Yeehaw!!

I love the Calgary Stampede. There, I said it. Calgarians are definitely torn when it comes to the idea of the Stampede. There are the ones who either flee the city or hole up in their houses for the whole month of July versus those who throw on their cowboy hats and mosey on down to the nearest pancake breakfast. I am proudly the later of the two.

There is no denying that I have always been a cowboy culture junkie and, trust me, the kitchier the better. Bring on the horses, the belt buckles, and rancher’s brands.

Heck, I even own a painting with a cowboy in it and am actually disappointed that I only have the one. I do, however, have a fantastic pinhole photograph of the Stampede Grounds by Calgary-based photographer Dianne Bos (see image above) so I guess I’m not doing too badly.

So, needless to say, when the Stampede rolls into town I always get a little excited. It is the one time during the year that the whole city comes together to celebrate its history. We did actually have cowboys here at one time, you know. It’s true… we did.

When I went for a jog this past Friday (around the various piles of horse poo, I must add… where else but Calgary!), I accidently came across the annual Stampede parade. There were families in cowboy gear, the famous Clydesdales, and the Calgary police squad on horseback. People had picnic coolers and matching cowboy shirts – it was a party in the making!

I felt for that moment that I was really part of something bigger than myself… and that big something touched on the mandate of ACE Communities. It was then that I realized that the combined Stampede activities, much like ACE, really did use recreation and culture to bring community together.

The Calgary Stampede is truly one of the times in the year that we have a valid excuse to come together with our neighbours, our families, and our friends… and wear Stetsons. It’s a time for block parties (been to one in my neighbourhood already), stampede breakfasts (I’ve hit three so far) and fun times on the Stampede Grounds. I even have a date planned with my mom, the Stampede corral, and a veggie corn dog if I can find one.

When else in the year can you actually wish someone a ‘Happy Stampede’ and receive a greeting back? For good or for evil, Calgarians are all in this together. So I say let’s use these together time to celebrate our history and to build community. And if a cowboy painting or two happens to come my way… then yeehaw!

For more of Dianne Bos’s pinhole photos, see: http://www.newzones.com/dynamic/artist.asp?ArtistID=133&Page=5

And who said?

The girls were having a blast… their friends had all arrived for the party. There was a pink frosted cake, gifts to be unwrapped, loot bags, and the whole neighbourhood had turned out. My little Cleo and Sammie were turning five and I was a proud momma. Sure – Cleo and Sammie are basset hounds but those are the kind of details I never bother to dwell on.

Before the final Community Building webcast with Ian Hill this past Friday, I mentioned on the chat board that I was planning on hosting a basset birthday batch. This had Ian in stitches.

“That’s pretty hilarious,” he said later on the webcast. “But, hey, community can happen anywhere.”

This really did make me think. It is true, community does happen anywhere. Because let’s face it, even I know that birthday parties for dogs are a little silly. The reason for this bash, like with many others that I’m sure will happen this summer, was that I really just wanted to be surrounded by my people… my peeps… as the cool kids say.

This was undeniably a fabricated way to bring my community together. One of the messages that ACE Communities promotes is that it is ok to dig up a reason to build community. Back in the day we had the barn raisings, quilting bees, and canning circles as ways of bringing people together. Nowadays, we seem to have lost those positive avenues or catalysts for individuals to connect to different types of community.

It was interesting to see what transpired during my basset bash. I had my parents mixing with the ladies from my basset hound rescue group (they brought the basset guests). Our art-world friends hung with my group of tried-and-true neighbours. One of our basset hound foster moms met my neighbour who happened to work at the Calgary Humane Society. They exchanged info and job-hunting tips.

The same foster mom reconnected with one of my husband’s artist friends who happened to have taught her how to make pottery a year before. This pottery teacher is a rather new addition to our street so she was able to formally meet all of the neighbours that she had only ever knew in passing.

Two new moms with similar aged children watched as their kids played with each other’s toys amongst the basset hound chaos. Everyone sang happy birthday when the girls’ cake came out because that’s what you do at a birthday party.

I would say I had 20 people at my shindig from the age of 3 months to 65 – and those were just the people. Six basset hounds, two great danes, and one grandma poodle made up the rest.

One friend volunteered to go shopping for me when I got too busy with other party-related things. One of my neighbours went over to the other’s to help her organize her two young children for the basset party – help that was much appreciated as her husband was away for the weekend.

I even had the young, impressively tattooed guy from across the street knock on my door the following morning with Cleo in tow. A partygoer had forgotten to close the gate and so Cleo went for a morning stroll down the street. Until that point I had never even chatted with this unexpected Good Samaritan but boy was I relieved that he had taken the time to note that we were the house with the crazy bassets.

And who said that basset hounds couldn’t build community?

The show will go on!

The pilot for the ACE ARTS Tour has now officially been completed. It is a bittersweet ending, no doubt. I will definitely miss being on the ground, working with amazing rural communities in their exploration of the arts, culture, and heritage. I danced, I laughed, and thankfully didn’t sing my way across Alberta. I really can’t sing… well, maybe I can hum a little when inspired.

As this was a pilot project, ACE Communities is hoping to take what we have learnt and apply it in our hunt for funding for future initiatives. We have seen the potential of the arts, culture, and heritage as a catalyst for community building and want to see this potential grow.

You know what that now means? Reports… a lot of them. Individual community reports, a master ARTS Tour report, financial reports – the list could go on.

But I’m okay with that because I know the effort will be worth it. I have seen the transformative power that the arts have had in the lives of many Albertans in the communities that the Tour has visited.

So I think it is time that I take a few minutes to reflect on those who have been affected by the ACE ARTS Tour:

-Imagine 150 elementary school kids hip hopping all together in Hanna

-Meet Olive in Longview who, at the young age of 92, not only baked bread for the ARTS Tour opening event but also took on a Cape Breton dance class

-Hear about the record 75% attendance for the dance and guitar classes in the Aseniwuche Winewak Nation Susa Creek school outside of Grande Cache

-Celebrate the seniors in both Hanna and Longview who did not let their assisted breathing apparatuses deter them from getting up and dancing in their Movement classes

-Cheer on Ann in Longview whose love of the mandolin, and some help from the artist ARTS Tour facilitators, inspired her to perform in front of an audience along side John Wort Hannam despite serious stage fright

-Be inspired by the guitar peer group forming in Grande Cache made up of people who just kept running into each other all week in workshops during their ARTS Tour

-Admire Jesse in Hanna who has the goal of being an actress once she graduates from high school. Not only did she attend 15 workshops in 4 days (4 of which she attended the 1^st day!), she made huge advancements with overcoming her fear of singing in public

-Celebrate Stu in Longview, who has worked at overcoming a serious rodeo-related brain injury. Stu not only sang at the ACE ARTS Tour Open Mike, he took a guitar class and is now committed to performing a song composed by ACE musician John Rutherford and a group of other workshop attendees

-Smile at the young group of songwriters who performed their new song ‘Hanna Rocks’ at the school assembly

- Acknowledge Sherril from High River who attended ARTS Tour classes in BOTH Hanna and Longview!

-Be motivated by the families who hip hopped together in ‘Mommy and Me’ classes in Grande Cache, Longview, and Hanna

-Admire the determination of a group of over 20 guitar-loving individuals of all ages who travelled 2 hrs from Kindersley, SK, to take workshops in Hanna

- Congratulate Michelle in Longview who not only organized her local tour but also participated in singing and guitar classes. Way to lead by example, Michelle!

-Applaud parents in Hanna who gave their kids permission to attend as many workshops as they liked even if it meant missing school. “Who can miss this type of educational opportunity?” one parent (and school board trustee) is quoted as saying.

- Cheer on the mayor of Grande Cache who not only endorsed the ACE ARTS Tour initiative but also got up and danced with her granddaughter in the Pre-school dance class

Like this list, we intend that the proverbial show will go on! There is just too much potential for the arts and culture to affect the quality of life in rural Alberta for us to stop now. So stay tuned….

The New Black is... the new black.

The New Black was right under my nose the whole time – all I had to do was stop and take a look. Funny how that happens sometimes with the things in your community that really, truly matter.

I first heard about the New Black: Center for Music and Art, an all age music venue/recording studio, at the Alberta Recreation and Park Association’s (ARPA) youth symposium in January. The City of Calgary, Community & Neighbourhood Services, was there giving a presentation on their ‘Toast ‘n’ Jam’ program – an arts engagement initiative with a focus on teaching youth how to become professional musicians.

This symposium session caught my eye because of my role at as the Creative Cultural Liaison with ARPA’s ACE Communities. With my latest baby – the ACE ARTS Tour – soon to be on the road, it was increasingly apparent that music and youth was kinda becoming my thing. It was time, I thought to myself, to get some insight on the topic.

The focus of the City of Calgary’s talk was their transition to a more grassroots, community driven approach to the ‘Toast ‘n’ Jam’ program. Part of this transition was the city’s partnership with the New Black, a youth-friendly music venue in Inglewood. As I just happened to live in Inglewood and was now snuggly wearing my youth & music hat, I quickly put the New Black on my list of places to visit.

Flash forward four months and there I finally was, standing in the uber cool, yet still punk-flavoured New Black. Earlier that week, I had been jogging and stopped to tie my shoelace right in front of the venue’s slightly obscure front entrance. Ah ha, I thought! New Black now located – check one on the list accompli.

“It can be tough to find us,” says Darren Ollinger, one of the venue’s founder, “but that’s all part of the appeal to the kids who come here. It makes it like a destination just for them.”

Hunkered in a cluster of commercial buildings, with the Canadian Pacific Railway right in their back yard, the New Black is the perfect spot for music lovers of all ages to come and see live gigs, create music themselves, or simply hang out with their peers.

“The goal of the New Black,” continues Ollinger, whose day job is as the creative director of the X92.9 FM – Calgary’s alternative radio station, “is to provide a place where kids want to hang out and, just as important, a place where their parent’s feel they are safe to be.”

Oozing professionalism tapered with a grunge edge, the New Black offers its all aged clients a stage to practice their stuff (with a fully equipped music system and acoustic set-up) as well as a recording studio. Bring your own gear and rent the studio for $20/hr. Don’t have your own gear, then the New Black will provide it for a fee of $30/hr. These are rates that would make the average hockey parent turn green with envy.

Parents, of course, are always welcomed at the New Black and Ollinger himself has had chats with parents who have secretly come by to check up their kids.

“We tell parents that this is a place for kids to have a real life educational music experience. They can come here and either perform or just get a feeling for how it really feels to be a working musician,” says Ollinger. “This is what the kids said they wanted so we rose to the challenge and tried to provide it.”

The New Black is currently in the midst of becoming an incorporated non-profit society. Its existence comes from the fact that two guys, who loved music themselves, believed that every kid should have access to music. So fret not – even the non-jock, artsy-punks, wanna-be rockers, and music loving alternative kids can have a place of their own.

For more info on the New Black: http://www.thenewblackcentre.com/

When I hear the drum...

I could feel the drumbeat literally vibrating through my breastbone. A group of men sat around a large format drum, playing in unison, and I was in awe, taken back by the pure visceral sensation. Standing there and feeling the pulse of that drumbeat was easily the most amazing musical experience of my life.

This encounter with the drum took place last Friday at the Indigenous Sport Council Alberta’s (ISCA) conference. It was part of an award ceremony that the ISCA was hosting for young Aboriginal leaders in sport.

The MC had just explained that, in his culture, they recognized accomplishment not only with material items like awards but also with spiritual accolades through the drum. Afterwards, someone explained that the physical experience I had was intentional and that the drum was meant to mimic the heartbeat of the listeners. As I felt the beat in my chest that night, I understood the valuable tie that the arts had to the spirit.

Later that weekend, I attended the funeral of Ethel Wolf. She was the mother of Helen Zenith - my former boss and mentor who is now a much-respected friend. As her friends and family remembered Ethel’s life, they spoke of the strength of a young Jewish girl who survived the Holocaust and went on to brave a new life for her family in Canada.

One fond story of Ethel was how she advocated that we must always pay good fortune forward and celebrate the joy in one’s life. Charity didn’t count, she said, unless you tore the charitable receipt up. Ethel worked hard but always had time for her friends, her family, and the community. When I heard these words it was as if I could feel the drum vibrating again in my chest.

These two experiences gave me comfort this week as I moved through my days. I found comfort in the knowledge that we can still move pass the material world and celebrate our successes with something as powerful as music. And I remember the power of this spirit through the story of a young girl who not only survived the horror of the Holocaust but also travelled across the world to make Alberta her home.

When I was in Susa Creek for the last ARTS Tour recently, I was given a book created by the elementary school and their community, the Aseniwuche Winewak Nation. It was a book of prose and drawings dedicated to the power of drum. Here is my favourite poem:

“When I hear the drum…

My heart beats.

Beats its beat.

It sings along.”

When I personally hear the drum again… I will remember those who have went before me. And I will always remember to always celebrate the strength and the spirit of those who make a difference in my life.

My thanks to Principal Mark McGimpsey and the students at the Susa Creek School for allowing me to reproduce excerpts from their book.