Where your passion may take you...

The key is to follow your passion. That’s a lesson that I was reminded of recently after sitting down for coffee with two phenomenal ACE Community leaders named Tony and Michele Geistlinger from Longview, Alberta.

I first had the pleasure of working with Tony and Michele as part of the ACE ARTS Tour when I spent four days in their town doing a series of dance and music workshops as well as a series of concerts. It was during the ACE ARTS tour that I realized that Longview was a mini-Mecca of musical talent and home already to great cultural events like Longstock – an annual music festival organized by acclaimed musician Eva Levesque.

For a town of about 300 people, Longview had the heart of a city of a million but faced obstacles that many rural towns do – generational in-fighting, loss of amenities like a grocery story, and a disconnect between the needs of newcomers and those who have lived in the town for their entire lives.



As luck would have it for me, I soon became Longview’s ACE coach and had the opportunity to assist their local leaders as the community progressed through their time as an ACE community. I saw this little town of 300 people face their obstacles and accomplish amazing things… from the tangible extreme makeover of their town that raised nearly $400,000 (yes – you read that correctly - $400,000!) to the more subtle unification of a community that had slowly become fractured over the generations.

To read in more detail about Longview’s accomplishments, click here!

But back to Tony and Michele! For those who know the couple, they know two people driven by their passions to, as volunteers, truly improve the quality of life in their community. They don’t look for monetary rewards or acclaim – just for naysayers to get out of their way and for others to join them in their passion for community building.

When you ask Michele why she spends so much time volunteering in Longview, she will tell you that it is to create the quintessential small town life that she always dreamed of living. This is the life where you not only know your neighbours but, more importantly, you know that you can depend on them during good times and bad.

In my recent meeting with Tony and Michele, they were updating me about plans for the building of a possible museum/interpretive centre for the village. This construction slotted tentatively for the town’s 50th birthday in 2014. Expanding on the community’s pioneering spirit and artistic leanings, it would be yet another coup for the ranching community.

“It was all I could do to keep my hand down so I wouldn’t volunteer to help with the project,” Michele said with a twinkle in her eye, referring to a recent presentation that she attended that outlined the museum’s potential. “It was so cool! I still might have to check in now and then, though, and see how things are going.”

What was Michele’s main reason, this queen of volunteering, for the hesitation? Michele has decided to follow another passion, her love for music, and help fellow ACE leader Eva Levesque with Longstock. This event, run by Levesque (who recently won the 2011 Association of Country Music in Alberta (CCMA) Best Group award for her band The Travelling Mabels) has been a growing event in Longview for a few years now and would benefit from Michele’s dedicated touch.

So now, with the 2 years of heavy lifting that has represented her steady community building with ACE Communities under her belt, Michele has decided that it is prime time to combine her love of community with her love of music and the arts. Her guitar and her saxaphone have gone neglected for far too long!



Because like I said before, the key to true community building is to follow where your passions may lead you. Like with Tony and Michele, you never know where that adventure may take you.

A safe place to be...

Have you seen it yet? You know, the video of that crazy dancing guy at a music festival who eventually inspires a whole group of people to join him (http://www.youtube.com/watch?v=4-1_-P016Ns).

I was sent this video recently as an example of the mechanics of leadership. Someone had added a voiceover to this video of the dancing man illustrating how equally important both followers and leaders are to any viable movement. As you will see when you watch the video, the speaker points out that while a leader takes a risk when they throw themselves into the fray, the same can be often said for the first follower.

This made me think about the idea of risk when it comes to community building. Many people who have ever attempted to build community know that risk is part of the equation… the risk of failure, the risk of re-opening old community wounds, the risk of causing conflict, and the risk of alienating the people you are trying to serve.

During my time at ACE Communities, however, I’ve seen the risk of what happens to communities if they don’t attempt to change and to engage with others. We know that communities who don’t attempt to move past the barriers that have constricted them, whether it be societal, political, or economic, are the least likely to make it through the long haul.

Risk… well, it’s a darn risky thing. One bright spot I have noticed lately is how the arts, culture, and heritage can be used as a non-threatening, universal way to start the community engagement process. People seem more open when you speak to them in terms of how they spend their leisure time, how they celebrate their culture, or how they remember their past.

Ask them about health care, infrastructure, or the economy, on the other hand, and watch them get their dukes up.

In 2002, the Canada West Foundation created a report entitled: “Culture and Economic Competitiveness: An Emerging Role for the Arts in Canada.” This report reviewed and considered studies from around the world to identify the following benefits from arts and culture:

1) Improves mental and psychological health including enhanced personal motivation, feelings of connectedness to others, a more positive outlook on life, reduced sense of fear or isolation and increased confidence, sociability and self-esteem.

2) Arts promote intercultural understanding and validates diversity through cultural festivals, historical presentations, exhibits.

In other words, it makes us feel better about ourselves, our neighbours, and just plain helps us get along. And isn’t that where the community building really needs to start.

After all, I might dance in a way that is different from you, with different steps and different rhythms, but we can all agree that the act of dancing together can do something amazingly positive for the spirit. Just look at our famous dancer from the above video and tell me that it doesn’t make you smile… if just a little.

Vote for us and for our aboriginal communities

I’m not even going to attempt to hide the fact that this is a blatant plug for our Pepsi Refresh Project Grant application.

For those few who I haven’t actually emailed, stalked, or tweeted, the latest ACE Communities news is that we are one of the ideas vying for $100,000 of Pepsi’s cash. Our goal: organizing a music and dance tour in Albertan Aboriginal communities. This latest grant race is notable as it is you, the voting public, who will ultimately decide whose project wins.

So hey! If you want to vote and/or spread the word here is the link: http://ab.yace.ca/artstour. See… what did I say…a blatant plug.

I was thinking a little bit today, as I continued to roll out my social media campaign, about what the point of all of this really was. Like…why the push for an arts tour for our aboriginal communities instead of for someone else? As a practitioner who has spent many years working in the arts trenches, I know that resources are thin on the ground for everyone.

As I sat and really considered this, an image of Stan popped into my head.

And who’s Stan, you ask? Well, let me tell you. Stan just happens to be one of the most popular male Aboriginal dancers on the southern pow wow circuit. I first saw Stan dance at the Grey Eagle Casino as part the Aboriginal Day celebrations at the Tsuu T’ina Nation. He was representing the Men’s Fancy Dance category and he, I’m not going to lie, completely blew me away.

Stan dancing was a hurricane of colour, virtuoso, and male power. I had never truly seen anything like it and, if I had had my way, I could have watched Stan dance for hours. As I left the casino that afternoon after the performance, I couldn’t help but feel both inspired and affirmed in my belief about the power of dance.

One of the most interesting things I discovered about Stan was that he wasn’t technically a professional dancer. In fact, it turned out he was a cook at the Grey Eagle. Now don’t get me wrong, I’m not saying that cooks can’t dance but I would be hard pressed to find many civilians (as in us non-artsy fartsies) dance with the same brilliance and passion as Stan.

So what was it that had a cook in an Aboriginal community possible out dance almost everyone in my Euro-centric world? The answer: a foundational connection to the heritage and artistic heartbeat on one’s own culture.

Unfortunately, a huge epidemic is running rampant in many of our Aboriginal communities. Substance abuse, high rates of diabetes, poverty, and gang crime in combination with an increasingly alarming and growing disconnect to their heritage (which many blame on the residential school syndrome) have lead to the despondency in many communities. This despondency is killing the soul of many Aboriginal communities, fracturing individuals and even nations.

Our answer: the ACE music and dance tour. While I would never be so arrogant as to believe that one little arts tour in seven communities will solve any of the above issues, I do sincerely believe that it could be a stopgap, musical healing, or at least a temporary balm for the soul.

And if you don’t believe in the healing power of the arts, then I dare you to go find Stan from the Tsuu T’ina Nation and watch him dance.

To vote daily (until August 31^st) for the ACE Communities Pepsi Refresh Project go to: http://ab.yace.ca/artstour